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TVideo technology is advancing by leaps and bounds. It is now possible to shoot PAL Digibeta footage that transfers superbly to 35mm film, and the high-definition 24-frames-per-second video camera is a reality. So why shoot miniDV, the "prosumer" medium favored by both home-movie makers as well as the first wave of digital independents? MiniDV both tempts and forces us to work in so many new ways that
it becomes a new medium, distinct from both film and its higher-definition
counterparts. When we aren't using miniDV to imitate film, it opens
up new aesthetic possibilities. Equally important, it also offers
us a way to rethink some of what is worst about how we usually make
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